Go Down, Moses is challenging, abstract theatre that demands something of the viewer, leaving us with much to puzzle over. It’s not an easy experience and it won’t be to everybody’s tastes, but the Adelaide Festival isn’t doing its job if it doesn’t try to expand our minds and push a few boundaries.


Beowulf: The Blockbuster is a wonderfully engaging piece of theatre reflecting on the intersection between literature and real life, about how we use story-telling to make sense of the world. It’s universal myth-making at its best.