Fleur Kilpatrick’s play, Terrestrial, touches upon universal truths, and minor flaws in this slightly frayed production do not deter its key concerns from having a significant impact.
I want to reveal the beauty in the true authentic. The authentic behind the performed rendition of authentic. The beauty in the dag released.
If you haven’t seen The Choir Of Man’s show yet, make the effort to grab a ticket whilst you can. It is a show that you will find hard to beat for value, energy, and the sheer joy of that is encapsulated in the performance.
Deborah Brennan’s The Hummingbird Effect is built around a monologue that details how a seemingly random experience can trigger an evolution in the way we perceive our own lives. A brave but sometimes uncomfortable performance.
Alex Cofield – Supernova deserves ‘Sold Out’ signs to adorn the doorways of Rajopolis every night of this 2018 Fringe season.
Good people of Adelaide – make it happen!
The Travelling Sisters – Toupe is a sloppy and unfunny slew of directionless skits that relies far too much on flesh and far too little on fun.
Thrones! is a must-see at this year’s Fringe for anyone who is a fan of Game of Thrones; this is one cleverly constructed musical comedy that really delivers on the laughs.
Tash is about to reach the age of proper adulthood and has decided to sing about it so we thought she’d also like to chat about it.
Eleanor’s Story is a moving, finely-crafted piece of theatre that sensitively depicts the horrors of war through the eyes of a teenage girl.
As a night of interpretations of Green Day songs ‘American Idiot’ is a clear triumph – it engages and excites the senses physically.