There’s an authentic feeling to the music here: a refreshing win for artistic integrity. It’s a bit of gamble, and risks alienating many a hipster fan, but in broadening their horizons, Mumford & Sons avoid turning into the musical caricature that had seemed almost inevitable.

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Ex Machina is an absorbing piece of speculative fiction. Strong on ideas and characterisation, Alex Garland (The Beach) capably draws on his skills as a novelist in this confident directorial debut that lies somewhere between Frankenstein and Spike Jonze’s Her.