A new series of shows has arrived thanks to a partnership between award winning cabaret performer Libby Trainor Parker and Adelaide’s premier burlesque venue Nineteen Ten.
Author: Libby Trainor Parker
Cinematic Sinners presents Moulin Rouge gave me more than a tribute to one of cinema’s most spectacular musicals. It gifted me a whole body and soul feeling of joy and celebration. One that I have been feeling since I experienced it and one I am certain I will be feeling for a long time to come. Well, at least until their next show.
With local comedy legend Jay Michael taking up the opening spot, Unleashed is shaping up to be an absolute winner of a show so click through to access your discount code and grab tickets before it sells out!
Adelaide Fringe has announced internationally recognised magician, producer and long-time Fringe artist Matt Tarrant as the new Chair of the Adelaide Fringe Foundation. Tarrant is taking over the role of Chair from David Pearson who stepped down after five years.
South Australian artist Ida Sophia will present a new installation and performance work exploring silence, punishment and power inside relationships beginning this month until September.
Art and the appreciation of it is subjective, so they say. ‘They’ also say beauty is in the eye of the beholder, which is the catalyst for climax in the deliciously and deeply layered ART by Yasmina Reza (translated by Christopher Hampton).
Following a global search, Adelaide Fringe has appointed Canadian arts and culture leader Marc Carnes as its new Chief Executive Officer, commencing 1 July 2026.
The show is an explosion of joy, power, protest and celebration as we honour Tash’s success and the room fills with a unique feeling of empowerment and energy, and a message: if you don’t fit the mould, make your own mould.
This is THE party of the Fringe! Bootscootin’ baddies, thigh slappin’ numbers and the hottest cast that’ll put the wild in your west and the yee in your haw.
Is Casual Receptionist of the Quarter a play? Is it sketch comedy? Is is cabaret? Is it commentary on capitalism, the patriarchy, class structure, and an argument for paying artists a living wage? Yes, it is all of these things. And it’s bloody brilliant.
Upside Adelaide 