What makes the performance work, is the heart behind it. Beneath the absurdity, Giuseppe’s quest to understand love is genuinely sweet. Detto never overcomplicates the concept, instead letting the audience help shape Giuseppe’s journey in real time. The crowd becomes part of the story, collectively exploring the question at the centre of the show.

We’ve Been Here Before feels deeply personal. Through songs and anecdotes, Kraft reflects on family relationships, an addict father, an overbearing mother and the complexities of love and identity, while tracing the emergence of a musician learning to channel pain into creativity.

The Club is based in the Nexus Arts Centre in the west end, a hidden gem for catching the Fringe vibe without the crowds and fuss of the gardens. While it is too late for you to catch Confessions Club this Fringe season (with their final weekend selling out), if you’re looking for a spicy and great bang- for-buck night out next Fringe, be sure to catch Vol.IV in 2027 (hot tip: arrive early to grab yourself an aisle or front seat if you don’t want to miss any of the floor action or for a chance of audience participation – BYO safe word!).

Returning to Adelaide Fringe for the second time, Eyrie Improv has curated a rotating cast of glamorous local and interstate performers – none of whom know which song they will perform to, or even where they are on the line up. On the night I attended, I was dazzled and delighted by cast members Blake Cassette, Dutchess Laven Dear, Ember Rose, Peyton James, Mya Dia Monte and of course, Empress Eyrie herself.