Since its 1996 debut, the cultural zeitgeist of Pokémon has been unrivalled by anything else since. Holographic Charizard is a love letter to the glorious first wave of Pokémania, touching all the bases of what made Pokémon the world’s biggest media franchise.
Sugar Bits Are: FEMINIST TRASH is a full-blown fever dream of a show, and that is exactly what makes it so delightful. After making huge waves at Arthur ArtBar during Adelaide Fringe in 2025, the sketch comedy trio has triumphantly returned ready to unleash their absurdist social commentary on fresh audiences at Gluttony. In a jam-packed last week of Fringe, this is a show worth carving out time for.
Showcasing decades of experience and technical mastery, Vuk reminded the audience how electrifying a single instrument can be.
Selkie is a two-hander that is part Celtic myth, but also a powerful allegory for domestic abuse in relationships.
As the final week of Adelaide Fringe kicks into gear, the energy across the city is still buzzing, […]
Tomi Gray’s Trip takes its audience all the way down the rabbit hole as it courageously navigates the absurdity, honesty and instability of the human condition.
The Tutti Arts Choir’s Loud and Proud is not to be missed.
Lost in Translation is inventive, interactive and delightfully unhinged
With its strong storyline, charismatic performances and heartfelt message, Villains: A Dizney in Drag Parody proves that sometimes the “bad guys” have the best stories to tell.
A show that balanced silliness with sincerity, a testament to Coombers’ range and unmistakable presence onstage.
Upside Adelaide 