Who says women aren’t funny? Girls Night not only debunks such misogyny – it has the last laugh too!
Through musings on drug use and being a workaholic, an unexpected anti-military thread appears that is as poignant as it is absurd. Jackson weaves social commentary with abstract goofiness in a way that feels natural.
Despite how these two opposing forces approach their interpretations of humanity, there’s still connections to be drawn between the two. Grayson’s chaotic, Finlayson’s unpredictable. But it’s the unwavering self-awareness to hold a mirror up to their own lives, as well as reflecting it onto the people around them, that really binds The Problem With Me (and other people) together.
Full of playful imagination and strength.
In the intimate setting of Nexus Arts, Like A Star is a heartfelt celebration of the music and […]
It’s smart, funny, and delightfully off‑kilter stand-up at this year’s Adelaide Fringe.
Self-Made Man is a deeply personal show that serves as a loving tribute to the arts, and the queer communities built around them.
What makes the performance work, is the heart behind it. Beneath the absurdity, Giuseppe’s quest to understand love is genuinely sweet. Detto never overcomplicates the concept, instead letting the audience help shape Giuseppe’s journey in real time. The crowd becomes part of the story, collectively exploring the question at the centre of the show.
Despite being an adaptation, Little Miss Julie finds itself being able to stand on its own two feet. The dynamics between the cast allow for something realistic, something understandable; all the while delivering tension in spades.
Beatles Dub Club is pure festival vibes. Inventive, energetic, and wildly fun.
Upside Adelaide 