Truly living up to its promise of being a groundbreaking pop music event, Mary’s in the Park had an electrifying atmosphere, with a feast (see what we did there?) for the senses.

Nestled in the heart of Adelaide, amidst the larger Feast Festival celebrations, Mary’s in the Park was a symphony of high-energy performances that left an indelible mark on all who attended.

The performers, a blend of pop royalty and drag superstars, took to the stage with an infectious zeal, delivering performances that were nothing short of spectacular. Each act, from the powerhouse vocals of Ricki-Lee to the charismatic presence of drag queens from RuPaul’s Drag Race, radiated an unparalleled vitality that pulsed through the crowd. The vibe was inclusive and jubilant, creating a sense of unity and pride that was palpable.

The music was the heartbeat of the festival, driving the event forward with dynamic rhythms and memorable melodies. Artists like Crystal Waters and Natalie Bassingthwaighte commanded the stage. The festival was more than just a display of musical prowess; it was a celebration of diversity and a vibrant expression of the LGBTQIA+ community’s spirit.

Mary’s in the Park was an event that perfectly captured the essence of celebration, artistry, and community. It was a festival where the energy of the performers was matched only by the enthusiasm of the crowd, making it an unforgettable experience.

In a fabulous finale that would make even the most glitter-adverse individual sparkle with delight, Mary’s in the Park didn’t just hit the high notes—it sashayed up to them in six-inch heels and executed a death drop of epic proportions.

This festival proved that whether you’re a queen of pop or drag, it’s all about the flair you bring to the stage. So, hats—or should we say, wigs—off to a festival that truly knows how to party with panache. It was a riot of rainbows, a cacophony of camp, and an absolute banger of a show!