Night Visions once again transforms the Adelaide Botanic Garden into a captivating wonderland of light, sound, projection and imagination.
Category Archive: Festivals
Adelaide Fringe has announced internationally recognised magician, producer and long-time Fringe artist Matt Tarrant as the new Chair of the Adelaide Fringe Foundation. Tarrant is taking over the role of Chair from David Pearson who stepped down after five years.
Following a global search, Adelaide Fringe has appointed Canadian arts and culture leader Marc Carnes as its new Chief Executive Officer, commencing 1 July 2026.
The show is an explosion of joy, power, protest and celebration as we honour Tash’s success and the room fills with a unique feeling of empowerment and energy, and a message: if you don’t fit the mould, make your own mould.
Seeing Cluedo at Her Majesty’s Theatre is like catching up with your favourite old friends. It doesn’t matter how long it is since you last saw them, you just know you’re going to have fun. And that’s the great charm of this touring production – it is just pure, unapologetic fun, delivered with a cheeky wink and tons of enthusiasm. Yes, it’s a classic ‘whodunnit’ based on the popular board game, but really it’s less about the murder mystery and more about the old-school comedy.
This is THE party of the Fringe! Bootscootin’ baddies, thigh slappin’ numbers and the hottest cast that’ll put the wild in your west and the yee in your haw.
Is Casual Receptionist of the Quarter a play? Is it sketch comedy? Is is cabaret? Is it commentary on capitalism, the patriarchy, class structure, and an argument for paying artists a living wage? Yes, it is all of these things. And it’s bloody brilliant.
There’s an energy in Gluttony that’s hard to replicate. It’s palpable. It’s collision of people, shows, food, music and movement. You’ve got queues forming for one show while another crowd spills out laughing. Someone’s midway through a drink, someone else is mid-performance in a corner where you didn’t expect to find anything happening.
B.D.S.M. is slick, tight, impressive show; and an exciting, entertaining, sublime peek into the world of kink and play, presented through the magic of circus and dance, and performed by artists at the top of their game.
In this unique and honest performance, Jobe shares experiences from his life that have inspired the stories and songs he records. Armed with an array of instruments, a loop pedal, and a melodic voice, Jobe performs six beautifully unique and insightful songs that are unlike anything I’ve ever heard—in the best way. At times, I felt transported to the forest, to the outback, and everywhere in between.
Upside Adelaide 