Honest, charming, and proudly queer, the debut solo hour from Dorian Courtisan takes an introspective look at the ‘self’ as it pertains to gender, sexuality, and performance.

Entering through the back of the theatre, emboldened by a spotlight, Dorian announces his presence via noir-esque monologue. This kind of parody perfectly encapsulates the fun wryness in Dorian’s stage persona, using the noir tropes to play with gender. Not quite a femme fatale or leading man, Dorian proclaims himself more accurately as a ‘gender ambiguous creature’ before launching into some truly stunning burlesque and drag routines. I’d be remiss if I didn’t mention the creative use of a staple gun that would make Mickey Rourke’s character in The Wrestler blush.

Interspersed throughout are some sketches and monologues where Dorian discusses coming of age in rural Yorke Peninsula, and exploring his gender identity and sexuality through puberty. There’s a sense of trepidation in some of these bits, as he puts himself out of his comfort zone. However, Dorian builds a natural rapport with his audience, showcasing his confidence and skill as a performer when interacting with the crowd.

Dorian demonstrates a willingness to be vulnerable throughout, whether by stepping out of his comfort zone, or speaking candidly about his mental health struggles. Dorian speaks openly and honestly about his personal hurdles, and how they impact his conception of self. We see a distinction between Dorian Courtisan the persona, and Dorian Lenoir the person (despite sharing the same name, as Dorian comically points out.) The result is an interesting and heartfelt observation on the nature of drag and burlesque, and the freedom of expression and safety that those art-forms offer. Self-Made Man is a deeply personal show that serves as a loving tribute to the arts, and the queer communities built around them.

Self-Made Man is playing at the Mercury Theatre, March 12-15. Tickets HERE