It was clear from the outset that Reine Beau and the Night Owl meant business and delivered consistently delivered classy, high-octane pop.
Ken Grady
A showcase of wonderful songs, beautifully sung, emphasising once again that Rob Snarski is one of Australia’s very best singer – songwriters.
Brian Cadd’s 2024 Adelaide Fringe season serves as timely reminder that this ARIA Hall of Famer’s contribution to Australian music and culture has been second to none.
Fred Smith’s ‘Domesticity’ is a show highlighting a distinctly Australian songwriter at the very top of his game.
Adelaideans of a certain age will have been following Charles Jenkins’ career for nearly forty years now. From […]
Rainee Blake has a lovely voice, obviously stylistically influenced by her musical muse Joni Mitchell, but her material in this show was mono-paced and needed a little more stylistic variation in order to consistently keep her audience’s full focus.
Stars at The Gov – What a great afternoon of high quality Oz rock!
A top class show, which you should check out if you are a ‘classic rock’ fan.
Tenor is a wonderful film. It is engaging, uplifting, full of wonderful images of bourgeois Paris, has a terrific ensemble cast, and it consistently sounds fantastic.
Michel Hazanavicius’ latest film comedy, Final Cut, is about a director and making a thirty minute continuous take B-grade zombie film. Plenty obviously can go horribly wrong. A lot of gory, slapstick humour ensues!