21st Theatresports Clash of the Titans is an absolute joy. If you love your improv and Theatresports, you’ve got to get along to one of these shows!
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This late in the Fringe season, there is a risk of audience enthusiasm starting to wane. Fuccbois brings a late burst of energy and refreshing humour to the festival. Do yourself a favour, get your girl gang together and catch the Fuccbois “last ever concert” this week.
This show will resonate with those who grew up in peak boyband era, bedroom walls adorned with posters of teenage heartthrobs, and will serve as cheap therapy for those deep in the trenches of swipe right culture. And is generally a thoroughly entertaining show for all!
Skank Sinatra is a seasoned professional is a triple threat who knows how to captivate an audience. With a stunning voice, she can tickle the ivories and dance up a storm, while flaunting her greatest assets in cheeky costumes.
After Hours is a warm, stylish and heartfelt celebration of the women whose voices shaped jazz and soul music as we know it
An ambitious and heartfelt celebration of Colombian heritage, powered by strong musicianship and striking stage design
Through musings on drug use and being a workaholic, an unexpected anti-military thread appears that is as poignant as it is absurd. Jackson weaves social commentary with abstract goofiness in a way that feels natural.
Despite how these two opposing forces approach their interpretations of humanity, there’s still connections to be drawn between the two. Grayson’s chaotic, Finlayson’s unpredictable. But it’s the unwavering self-awareness to hold a mirror up to their own lives, as well as reflecting it onto the people around them, that really binds The Problem With Me (and other people) together.
In the intimate setting of Nexus Arts, Like A Star is a heartfelt celebration of the music and […]
What makes the performance work, is the heart behind it. Beneath the absurdity, Giuseppe’s quest to understand love is genuinely sweet. Detto never overcomplicates the concept, instead letting the audience help shape Giuseppe’s journey in real time. The crowd becomes part of the story, collectively exploring the question at the centre of the show.
Despite being an adaptation, Little Miss Julie finds itself being able to stand on its own two feet. The dynamics between the cast allow for something realistic, something understandable; all the while delivering tension in spades.
Upside Adelaide 