Through musings on drug use and being a workaholic, an unexpected anti-military thread appears that is as poignant as it is absurd. Jackson weaves social commentary with abstract goofiness in a way that feels natural.
Category Archive: Reviews
Despite how these two opposing forces approach their interpretations of humanity, there’s still connections to be drawn between the two. Grayson’s chaotic, Finlayson’s unpredictable. But it’s the unwavering self-awareness to hold a mirror up to their own lives, as well as reflecting it onto the people around them, that really binds The Problem With Me (and other people) together.
Full of playful imagination and strength.
In the intimate setting of Nexus Arts, Like A Star is a heartfelt celebration of the music and […]
It’s smart, funny, and delightfully off‑kilter stand-up at this year’s Adelaide Fringe.
Self-Made Man is a deeply personal show that serves as a loving tribute to the arts, and the queer communities built around them.
Despite being an adaptation, Little Miss Julie finds itself being able to stand on its own two feet. The dynamics between the cast allow for something realistic, something understandable; all the while delivering tension in spades.
Beatles Dub Club is pure festival vibes. Inventive, energetic, and wildly fun.
We’ve Been Here Before feels deeply personal. Through songs and anecdotes, Kraft reflects on family relationships, an addict father, an overbearing mother and the complexities of love and identity, while tracing the emergence of a musician learning to channel pain into creativity.
Returning to Adelaide Fringe for the second time, Eyrie Improv has curated a rotating cast of glamorous local and interstate performers – none of whom know which song they will perform to, or even where they are on the line up. On the night I attended, I was dazzled and delighted by cast members Blake Cassette, Dutchess Laven Dear, Ember Rose, Peyton James, Mya Dia Monte and of course, Empress Eyrie herself.
Upside Adelaide 