Good Boys is a comedy that misses the mark totally. It’s a tacky, predictable and ultimately unsatisfying film.
XXX Neon Sign is the inaugural show for the newly established Rumpus Theatre collective of Bowden in the repurposed space previously occupied by Fontanelle Gallery on Sixth Street. South Australian composer Dan Thorpe, with a growing reputation for experimental nous, cuts an isolated figure at the piano as he navigates Australian poet James Andre’s work of the same title, illuminating Andre’s personal recollections of working in a porno store in Brisbane.
On behalf of director, Michael Engler, you are cordially invited to re-enter the world of high teas, proper manners and well dressed period drama in the film version of Downton Abbey.
SAFIA livened up a cold night at HQ on the second leg of their “Story’s Start or End” tour.
The ninety minute film documents the recording of Aretha Franklin’s 1972 gospel album of the same name.
Jasper Jones is an important Australian story that cleverly confronts some dark truths about our country within the architecture of an engaging tale.
The Adelaide Entertainment Centre was at capacity on Saturday night for the boys from Blackwood – Hilltop Hoods. And boy, do they know how to raise the roof!
Fast & Furious: Hobbs & Shaw’s strengths are that it is well-paced, funny, and, despite its significant body count and copious amounts of unnecessary property damage, an unexpectedly heart-warming film.
The performances are flawless and weave a magic into Miller’s play that transcends words on a page. Do not miss this incredible and thought-provoking performance.
An engaging monologue on the overlooked and cumbersome orchestral instrument and the people who play it.