Legend tells the story of the late 1960s “Swinging Sixties” London Underworld; mainly the rise and fall of the notorious Kray Twins.
Category Archive: Reviews
The music industry can be fickle at times, and while The Darkness may not have the pulling power they once had, it was evident from last night’s performance they are still one of the best live bands of the modern era.
A solid film from Hanks and Spielberg. My only concern (with regards to historical accuracy) is that the timeline of events is perhaps made a little compressed to suit the film, or at the very least, not made 100% clear.
You can easily discern some of Blasko’s formative musical influences here: Talking Heads, New Order, Kate Bush and Michael Jackson are all somewhere in the mix. But this much more than the mere art of imitation; the album remains distinctly Blasko, with those slightly off-kilter rhythms and delicate melodies.
Along with her probing, erudite songs, the thing sets Holter apart from her alt-pop contemporaries is the clarity of sound on this record. While other indie darlings sing through that forced, I-couldn’t-give-a-shit accent or bury their voice in pursuit of an ethereal, lush soundscape, Holter’s rich vocals are front and centre, penetrating with precision.
After more than three decades in the music industry Stevens knows how to deliver: he still draws a strong crowd and they leave having had a great time. This is how a good rock’n’roll show should be.
Oculus Magnus is released through Great White Records, with Surviving Sharks launching the album at the Grace Emily Hotel this Saturday night.
FM radio may be awash with ‘Flame Trees’, ‘Cheap Wine’ and ‘Khe Sanh’ but, as great as those established numbers are, listeners deserve hear the material on The Perfect Crime: the songs stack up very well against the older material, but have the advantage of freshness and variety.
The Basics lived up to their name in a stripped down, intimate gig at the Grace Emily on Tuesday night; it was a thrilling, no-frills display of honest rock’n’roll.
This 70’s styled theme continues through the music and dancing at the beginning and end of Greta’s party, which may well be the film’s funniest moments.
Upside Adelaide 