Taste’s Adelaide Fringe show in Showroom One at The German Club presented the fans with a generous cross-section of songs from both eras of the band’s career.
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My Leonard Cohen is not an unequivocal success, but it does put the spotlight squarely on the songs – and despite some occasional rough treatment, the old adage still proves true – diamonds don’t crack under pressure.
The opening of the 2017 Adelaide Festival was celebrated in grand style on Sunday evening with a free performance on the Adelaide Riverbank by Neil Finn, one of the world’s finest singer-songwriters.
Shôn Dale-Jones is a master story-teller. His one man show, The Duke, is an impressive, multilayered piece, with an appeal that lies in the simplicity of the performer’s approach.
All up, Prohibition is a well-sequenced, fast-paced and entertaining show that strikes a perfect balance between humour and physicality.
The Riverbank Palais is proving to be a fantastic addition to the Adelaide Festival program this year, hosting a diverse range of performances and forums, including The Duke, a theatre piece by Shôn Dale-Jones. The play begins its limited three night season on the floating venue from this evening, with half the proceeds going to Save the Children’s child refugee efforts.
The works explore the dependencies that humans have on water at large, as well exposing the vulnerability of the oceans and waterways, caused by human interference.
Matt Tarrant dazzles with mind-boggling tricks.
The Upside News had the chance to talk to John Steel, founder member of The Animals, about those heady years when British pop and rock bands dominated the globe, and also about his years working on the other side of the music industry fence in rock management.
This hour long show actually passes by in a blink of an eye because the storyline so quickly hooks you into its web of mystery and intrigue.
Upside Adelaide 