What makes the performance work, is the heart behind it. Beneath the absurdity, Giuseppe’s quest to understand love is genuinely sweet. Detto never overcomplicates the concept, instead letting the audience help shape Giuseppe’s journey in real time. The crowd becomes part of the story, collectively exploring the question at the centre of the show.

We’ve Been Here Before feels deeply personal. Through songs and anecdotes, Kraft reflects on family relationships, an addict father, an overbearing mother and the complexities of love and identity, while tracing the emergence of a musician learning to channel pain into creativity.

Returning to Adelaide Fringe for the second time, Eyrie Improv has curated a rotating cast of glamorous local and interstate performers – none of whom know which song they will perform to, or even where they are on the line up. On the night I attended, I was dazzled and delighted by cast members Blake Cassette, Dutchess Laven Dear, Ember Rose, Peyton James, Mya Dia Monte and of course, Empress Eyrie herself.