Blur: To The End is like a proper English cuppa: comforting, a bit bitter, and best enjoyed with friends.
cinema
The 2024 Russell Hobbs British Film Festival has returned to cinemas in Adelaide this November in Prospect and CBD with a star-studded lineup.
Bring a taste of Italy to your doorstep as the St. ALi Italian Film Festival celebrates its 25th anniversary at Palace Cinemas in Adelaide this October.
Michel Hazanavicius’ latest film comedy, Final Cut, is about a director and making a thirty minute continuous take B-grade zombie film. Plenty obviously can go horribly wrong. A lot of gory, slapstick humour ensues!
June Again is a watchable but largely unconvincing and contrived exploration of dementia through one family’s journey from disintegration to resurrection.
Marie Curie’s story is an important one, and should have presented an enthralling film subject, but Marjane Satrapi’s Radioactive is an overly bleak film, revising history arbitrarily and often reducing triumph to trial, and treating redemption as a belated and understated postscript.
Good Boys is a comedy that misses the mark totally. It’s a tacky, predictable and ultimately unsatisfying film.
The Old Man & The Gun is a very entertaining film. It is a clever homage to Robert Redford’s earlier work, as well as being a film that calls out to us all to live our lives to the fullest for as long as we can.
Sunshine That Can Move Mountains is an exploration of the complexity of the relationships that dominate all our lives – with family, friends and community, and with our gods and our environment. It’s a wonderful piece of cinema.
Director Yang Mingming’s first feature film, Girls Always Happy, will screen as a centrepiece of this year’s OzAsia Film Festival’s Women Directors In Asia selection.
Upside Adelaide 