Renee Geyer opened her show with a version of B.B. King’s The Thrill Is Gone, a song whose title could not be further from the truth for those who bought tickets to see her this time around.
Category Archive: Reviews
As a showcase for comedians who have solo shows at the Fringe this is a good cheap way to get a brief sample of their comic wares before deciding if a full show of their form of comedy is likely to strike a blow to your funny bone.
In a night to remember, Lydia Lunch Retrovirus gave Adelaide a dose of their in-your-face, sonic brutality at the RCC on Thursday.
Fans of 70s British rock will know of the genius that is Jethro Tull and in Adelaide last night we got a taste of musical masterpieces that defined an era. Led by Michael Coghlan and Geoff Perkins, both on guitar and vocals, Acoustic Tull explores the back catalogue of the iconic group – albeit as best as they can in the seventy minute Fringe slot.
Although he highlights at the start of his performance the potential dullness of riding solo in general, Hansen presents as entirely comfortable on stage alone and upholds the bold presence of earlier Chaser material.
Bordertown, directed by Samantha Riley, is the latest offering from South Australian Playwrights Theatre. It tells the story of regional hairdresser, Patricia Barnes (Katie O’Reilly), who is famed for creating Bob Hawke’s iconic ‘silver bodgie’ hairstyle in the former Prime Minister’s hey-day.
A great showcase of local comedic talent.
A guaranteed show-stopper (and aphrodisiac), Haus of Hans is the best of what the Adelaide Fringe has to offer. You’ll be kicking yourself if you miss it darlings!
Plastisphere presents an important message with good intentions: an intriguing side-journey for your commute home or night-out.
Tim Rogers’ Fringe show at the Fortuna Spiegeltent is a delightful 90 minutes of Fringe magic, mixing cabaret, […]
Upside Adelaide 