Despite how these two opposing forces approach their interpretations of humanity, there’s still connections to be drawn between the two. Grayson’s chaotic, Finlayson’s unpredictable. But it’s the unwavering self-awareness to hold a mirror up to their own lives, as well as reflecting it onto the people around them, that really binds The Problem With Me (and other people) together.

What makes the performance work, is the heart behind it. Beneath the absurdity, Giuseppe’s quest to understand love is genuinely sweet. Detto never overcomplicates the concept, instead letting the audience help shape Giuseppe’s journey in real time. The crowd becomes part of the story, collectively exploring the question at the centre of the show.

We’ve Been Here Before feels deeply personal. Through songs and anecdotes, Kraft reflects on family relationships, an addict father, an overbearing mother and the complexities of love and identity, while tracing the emergence of a musician learning to channel pain into creativity.