Grant is very funny, an excellent musician, and it doesn’t hurt that he is incredibly attractive.
Review
Welcome to the land of the disoriented and confused.
Russell Morris certainly crams a lot into a single hour on stage. His Spiegeltent performance on Friday night was a master class in professionalism.
Children left the show excitedly, having come as close as is possible with “real” dinosaurs.
Go Down, Moses is challenging, abstract theatre that demands something of the viewer, leaving us with much to puzzle over. It’s not an easy experience and it won’t be to everybody’s tastes, but the Adelaide Festival isn’t doing its job if it doesn’t try to expand our minds and push a few boundaries.
I expected much more, especially given the team who made it, and all the acting talent involved.
Beowulf: The Blockbuster is a wonderfully engaging piece of theatre reflecting on the intersection between literature and real life, about how we use story-telling to make sense of the world. It’s universal myth-making at its best.
Melbourne based comedian Alice Fraser first came to my attention in 2015 when she featured on Wil Anderson’s Wilosophy podcast. […]
These Things Take Wine is for anyone who’s ever had a drink, been hung over, made questionable choices when drunk, or even just has a pulse; it’s an absolute riot.
Massaoke is when everybody comes together to sing, howl or scream along to their most loved hits, which are performed by a live band while the lyrics are displayed on a big screen.
Upside Adelaide 