The Lost & Found Orchestra – being immersed and mesmerised, for one and a half glorious hours, by this terrific piece of innovative musical performance art was an experience to be savoured and never be forgotten.
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Soweto Gospel Choir Infuse their songs with synchronised percussion, dance, and some occasional comic pratfalls, and the energy of this show is impossible to resist.
There’s never a dull moment at one of Hans’ shows and this one is no exception: 22 Aussie classics in an all singing, all dancing, glitter coated hour of fun.
Deborah Brennan’s The Hummingbird Effect is built around a monologue that details how a seemingly random experience can trigger an evolution in the way we perceive our own lives. A brave but sometimes uncomfortable performance.
I would highly recommend that people who have not caught this tribute to Simon & Garfunkel as yet should make sure that they do so at some point…but in this venue there are some issues that work against these talented performers.
The Amy Winehouse Show at The Spiegeltent in The Garden Of Unearthly Delights – was ‘merely a ‘polite’ performance, lacking in passion and power’.
The Brewster Brothers Play Bob Dylan: ‘After the gig was over, people were buzzing with that satisfied feeling you only ever get at the very best gigs.’
After My Leonard Cohen, the sold out smash hit of the 2017 Adelaide Fringe, multi-award winning performer, composer and artistic director Stewart D’Arrietta returns to Adelaide
Cirque Nocturne encapsulates the seductive atmosphere of a classic Noir film of the 1940’s.
Field, See & Mason at The German Club – a beautifully balanced set of blue-chip Oz rock ballads and brawlers.
