Sequins, sass, shimmying and ghetto hip hop; not your usual Monday night fare, however when it comes to Hans the German (Matt Gilbertson), anything goes.
Adelaide Fringe Festival
Velvet is smooth, sexy, luscious, exciting, heartwarming and damn good fun.
From the moment you are presented with your black or white eye mask, offered beef jerky with ant sauce served out of a cow skull, it’s a journey of surprises that keeps you guessing.
One frat house with very little dignity is reminiscent of where we lay our scene as the Shotspeare actors perform an abridged version of Romeo and Juliet.
If you go along to Icons expecting to see a typical drag show, you’ll be surprised, but not disappointed.
Blending comedy, music, satire and burlesque, Fashionably Late invite you to an evening of reflection and ridicule.
After the Fringe Parade, The Crown and Sceptre on King William Street in the CBD, are holding a massive Fringe opening party.
For a night of blues, laughs and climactic aural pleasure with a deliciously histrionic diva, check out Yana Alana’s Between The Cracks – it’ll crack you up.
Bringing dance, song and his signature instrument of choice, the piano accordion, Hans is putting the ‘original’ in Original Gangsta.
most importantly, the point of difference for my show isn’t just my look. It’s not the fact that I’m big, black, bearded and gay, it’s that I love opera and I want to share that love of opera with you. I also want to sit down with you and tell you the things that make us the same.
Upside Adelaide 