RanDom, as the title suggests, is a random selection of tricks and illusions, where, rather than sitting in the audience of a magic show, you feel like you’re at a party or in Dom’s lounge room – he just makes you feel so damned comfortable.
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Full of humour and poignancy, there is never a dull moment in Don’t Do It, Don’t Do It, Do It!, and I can honestly say that I haven’t quite seen a show like this during the Fringe.
While it is often uncomfortable, Cockroach offers an honest and brutal perspective on gendered violence that will stay with you for days
Guitar master Harts will play WOMADelaide this Monday evening in a one off festival appearance with his full band. A later addition to the bill, it was a chance occurrence at an Adelaide gig back in November that led to his inclusion.
Englishman, Dan Clews’ The James Taylor Story, is an Adelaide Fringe show that will please all acoustic music fans and deserves a full house every night.
Caution – Deadline Ahead is a funny and sharp look into the world of procrastination. Cristina Lark has a written a show which displays both humour and plenty of moments of self-reflection around both her own and the audience’s habits.
Law Without Order just isn’t on par with other comedy shows at Fringe
Stephen Buchanan is a fine comedy craftsman and, should he choose to continue to ply his trade, there seems no doubt that he will be playing in much larger venues at future festivals. His Fringe show – Purpleberry – is a lot of fun.
Squeeze My Cans is a story of survival, but it is also a rare, unadulterated insight into the life of a Scientologist. In a sphere so shrouded in mystery, Schenkelberg’s account is simply fascinating and a must for anyone who is desperate to know what it’s truly like on the inside.
Much of the joy of the production came from the audience’s delight as Goers twigged their memories.
Upside Adelaide 