OCD Love proved to be compulsive, but uncomfortable viewing.
French ‘anti-choreographer’ Jerome Bel creates a dance piece with a difference with an all-Adelaide cast in Gala
Kevin Borich and his band left the stage to rousing applause surely satisfied in the knowledge that they had just delivered an exceptional masterclass in high energy rock, funk and blues.
Soulful, bluesy, sexy, powerful; this woman is the quintessential performer.
Leo Sayer still has plenty of stage presence, and commands a devoted and loyal fanbase who excitedly push and prod each other’s shoulders as they recognise the opening bars of each song as he worked his way through a generous cross-section of his hits.
Poignant, entertaining, affecting and completely engaging, Every Brilliant Thing is flawless. See it immediately.
BARBU is absurdly breathtaking from start to finish.
An entertaining and well-designed production that provided appropriate, and somewhat overdue, recognition of an important historical event whose anniversary should really have received even wider acknowledgement in other media.
The Palais was used to great effect on Tuesday evening for Kurt Vile’s solo show, providing fantastic atmospherics, as the idiosyncratic and talented troubadour played in front the magical moonlit vista on a balmy night.
The final day of WOMADelaide 2017 provided many of the festival’s highlights. The rains had cleared, giving way to perfect autumnal weather that stretched into the late evening, and the slightly lower crowd numbers made for a wonderfully chilled vibe. Add to that a terrific line-up of acts, and it all made for a great end to the weekend.
Upside Adelaide 