Broken and Beautiful is an emotional journey with a perfect pairing of a full band to complement Kylie’s poetic story.
Review
Olympia and band showed that they have the power to engage an audience, and do so effortlessly. The band played well and Olympia hit every high note, both vocally and on her wonderful blue Jazzmaster.
“I’ll be damned if anyone from this era can look quite as at home on stage in a Bonds ringer as Younger can. Also, Mick Jagger, you can take a seat.”
“I actually found myself standing and applauding in my own living room!”
Honey Bones is charmingly loose around the edges, while showcasing Angus Stone’s strong songwriting skills.
Thank you, Culture Club, for everything you have done for music, and for one of the best gigs we have ever seen.
Most of the songs are originals by De Ness, but many of these suffer from a formulaic adherence to generic forms and structures.
This show runs every Saturday night through June, but such is its nature that the line-up will change as new shows open and need to be highlighted throughout the Cabaret Fringe Festival, so how each show unfolds will largely be a matter of chance.
Cirque Nocturne gives an exhilarating insight into the dangers and seductions of circus cabaret and will keep you cheering throughout.
It is hard to categorise Jennifer Kingwell’s Cabaret Fringe Festival show, ‘The Lotus Eaters: A Chamber Cabaret’, other than to do what she so often does herself during her performance…
Upside Adelaide 